The TV Drama Genre
- Set during World War One.
- Historical genre.
- Music, costumes, and props are old-fashioned so it's clear that the TV drama is part of the historical genre.
- Suitable for adults as well as adolescents as the star of the show is Daniel Radcliffe so it appeals to a wide audience.
- However, because it's a war film, it could be mainly targeted at males (stereotypical view).
Characters and Performance
- Realistic style of performance.
- Assume that the people are posh, educated, well-behaved, and that they are all mainly upper-class young adults who are British.
- In the particular sequence shown there are only men, but no women.
Editing
- Time is important to context - against them - fade to close-up of the watch suggests this idea.
- To highlight the father's rush, fast cuts are used.
- A tense, slow mood is portrayed through long cuts of the main character.
- Clear conversation is shown through the use of the shot reverse shot in the room.
- Continuity editing portrays a chronological order, showing that time is passing.
- Experience protagonist's view through the eyeline match when he's reading the letters.
- Superimpose is used when the main character is looking at the letters - experience his view and the audience are informed of his weak eyesight and at the start in the credits as well to set the scene (1914).
- Two different events are shown through parallel editing.
- Cutaway shot of the watch again - isn't really necessary but highlights that time is still important.
- Ellipsis - father isn't portrayed walking around - action is sped up.
- Parallel editing of the father in the car and his son in the medical room portrays their relationship.
- Close-up shots of the cars indicate the time when the story is set.
Mise-En-Scene
- Setting - countryside, medical room, and mansion.
- Formal clothes - upper-class.
- Soldiers in the navy - military-style uniform.
- Body language - father is speed-walking which shows that he's in a rush.
- Lighting outdoors - sunny, bright.
- Lighting in medical room - dimly lit.
- Mansion - light gets darker as the camera goes inwards - spotlight.
- Colours - bright and vibrant outside which contrasts with the dull colours used in the medical room.
- Old-fashioned costumes.
- Fingers on the steering wheel show that the character is nervous and anxious.
- The first thing noticed about the main character is that he's wearing spectacles.
Sound
- Diegetic sound is used when the clock is ticking.
- Noise of the car - asynchronous sound, sound which is indigenous to the action but not precisely synchronized with the action (foreshadowing).
- Jolly music is used which relates to the sunny weather.
- String instruments are used to portray that the characters are nervous and anxious.
- Non-diegetic sound is used too.
- When there is more dialogue the music goes quieter.
- Sound bridge - whoever clock belongs to - waiting for person in next scene.
- Adventurous music - rich.
Narrative Sequence
- Real-time is used when the clock at the start appears again.
- Long corridor = long wait.
Background Information
- One-off production drama.
- Daniel Radcliffe stars in it so the drama must have had a high budget.
- Set in 1914 - World War One.
- The father in the drama is a writer which suggests that he's well-known and famous.
Audience
- Mostly for the older generation as it's a war film.
- Daniel Radcliffe stars in the drama so appeals to a mass audience - pulls in a younger audience because of the big star - higher budget = better quality.
- The message conveyed is that if you're not born into the correct family with good physical conditions it's hard to get a high-rank job.
Camera Angles and Shots
- Close-ups of the clock ticking.
- High angle shot of the whole room - high authority.
- Close-up of letters.
- Mid angle shots - realism.
- Point-of-view shots.
- Low angle shots - importance of characters and authority.
- Over-the-shoulder shots - conversation, point-of-view.
- Extreme close-up of the second-hand on the watch - time is going.
- Close-up of wheels turning on car - speed and time.
- Close-up of facial expression of the character in the car portrays their emotions - he also has glasses on like Daniel Radcliffe.
- Low angle shot - speed of car - determination - not going to let things get in the way.
- High angle shot of the three boys looking down on the papers.
- Hand-held shot of when the man is collecting the forms - we are further down - our eyeline is in line with Daniel Radcliffe's eyeline so we are empathising with him. Daniel Radcliffe's form is folded - opposition - meticulous (particular).
- Close-up of Radcliffe - wearing glasses too - links to the shot before of his father and his glasses.
- Unsteady camera = uncertainty.
Dialogue
- Not much conversation.
- Poshly spoken - matches characters' personalities.
- Authentic (realistic), old-fashioned.
- Rehersed - realistic.
- "Sir" - not a strong relationship.
Representation of Social Class
- Formal language and accent - posh.
- Formal dress.
- Dialogue - father is a writer - lower-class? An over-the-shoulder shot is used to see the other character's reaction to Racliffe's character's job - snobbery.
- Fade-up on expensive, golden-crusted watch - time is against them - late. Watch belongs to the King who is waiting for a visit from Rudyard Kipling.
- Aristocracy - King doesn't like to be kept waiting.
- Wealthy - polished Rolls Royce car.
- Open green fields - freedom, space.
- Costumes of the three boys don't show a difference in class as they are dressed similarly - equality.
- Low panning shot - wealth, power.
- Title screen portrays the grand estate - class.