Thursday, 3 November 2011

'My Boy Jack' Notes

The TV Drama Genre
  • Set during World War One.
  • Historical genre.
  • Music, costumes, and props are old-fashioned so it's clear that the TV drama is part of the historical genre.
  • Suitable for adults as well as adolescents as the star of the show is Daniel Radcliffe so it appeals to a wide audience.
  • However, because it's a war film, it could be mainly targeted at males (stereotypical view).
Characters and Performance
  • Realistic style of performance.
  • Assume that the people are posh, educated, well-behaved, and that they are all mainly upper-class young adults who are British.
  • In the particular sequence shown there are only men, but no women.  
Editing
  • Time is important to context - against them - fade to close-up of the watch suggests this idea.
  • To highlight the father's rush, fast cuts are used.
  • A tense, slow mood is portrayed through long cuts of the main character.
  • Clear conversation is shown through the use of the shot reverse shot in the room.
  • Continuity editing portrays a chronological order, showing that time is passing.
  • Experience protagonist's view through the eyeline match when he's reading the letters.
  • Superimpose is used when the main character is looking at the letters - experience his view and the audience are informed of his weak eyesight and at the start in the credits as well to set the scene (1914).
  • Two different events are shown through parallel editing.
  • Cutaway shot of the watch again - isn't really necessary but highlights that time is still important. 
  • Ellipsis - father isn't portrayed walking around - action is sped up. 
  • Parallel editing of the father in the car and his son in the medical room portrays their relationship.  
  • Close-up shots of the cars indicate the time when the story is set.  
    Mise-En-Scene
    • Setting - countryside, medical room, and mansion.
    • Formal clothes - upper-class.
    • Soldiers in the navy - military-style uniform.
    • Body language - father is speed-walking which shows that he's in a rush.
    • Lighting outdoors - sunny, bright.
    • Lighting in medical room - dimly lit.
    • Mansion - light gets darker as the camera goes inwards - spotlight.
    • Colours - bright and vibrant outside which contrasts with the dull colours used in the medical room.
    • Old-fashioned costumes.
    • Fingers on the steering wheel show that the character is nervous and anxious.
    • The first thing noticed about the main character is that he's wearing spectacles.
    Sound
    • Diegetic sound is used when the clock is ticking.
    • Noise of the car - asynchronous sound, sound which is indigenous to the action but not precisely synchronized with the action (foreshadowing).
    • Jolly music is used which relates to the sunny weather.
    • String instruments are used to portray that the characters are nervous and anxious.
    • Non-diegetic sound is used too.
    • When there is more dialogue the music goes quieter. 
    • Sound bridge - whoever clock belongs to - waiting for person in next scene.
    • Adventurous music - rich.
    Narrative Sequence
    • Real-time is used when the clock at the start appears again.
    • Long corridor = long wait.
    Background Information
    • One-off production drama.
    • Daniel Radcliffe stars in it so the drama must have had a high budget.
    • Set in 1914 - World War One.
    • The father in the drama is a writer which suggests that he's well-known and famous.
    Audience
    • Mostly for the older generation as it's a war film.
    • Daniel Radcliffe stars in the drama so appeals to a mass audience - pulls in a younger audience because of the big star - higher budget = better quality.
    • The message conveyed is that if you're not born into the correct family with good physical conditions it's hard to get a high-rank job. 
    Camera Angles and Shots
    • Close-ups of the clock ticking.
    • High angle shot of the whole room - high authority.
    • Close-up of letters.
    • Mid angle shots - realism.
    • Point-of-view shots.
    • Low angle shots - importance of characters and authority.
    • Over-the-shoulder shots - conversation, point-of-view.
    • Extreme close-up of the second-hand on the watch - time is going.
    • Close-up of wheels turning on car - speed and time.
    • Close-up of facial expression of the character in the car portrays their emotions - he also has glasses on like Daniel Radcliffe.
    • Low angle shot - speed of car - determination - not going to let things get in the way.
    • High angle shot of the three boys looking down on the papers.
    • Hand-held shot of when the man is collecting the forms - we are further down - our eyeline is in line with Daniel Radcliffe's eyeline so we are empathising with him. Daniel Radcliffe's form is folded - opposition - meticulous (particular).
    • Close-up of Radcliffe - wearing glasses too - links to the shot before of his father and his glasses.
    • Unsteady camera = uncertainty.
    Dialogue
    • Not much conversation.
    • Poshly spoken - matches characters' personalities.
    • Authentic (realistic), old-fashioned.
    • Rehersed - realistic.
    • "Sir" - not a strong relationship.
    Representation of Social Class
    • Formal language and accent - posh.
    • Formal dress.
    • Dialogue - father is a writer - lower-class? An over-the-shoulder shot is used to see the other character's reaction to Racliffe's character's job - snobbery.
    • Fade-up on expensive, golden-crusted watch - time is against them - late. Watch belongs to the King who is waiting for a visit from Rudyard Kipling.
    • Aristocracy - King doesn't like to be kept waiting.
    • Wealthy - polished Rolls Royce car.
    • Open green fields - freedom, space.
    • Costumes of the three boys don't show a difference in class as they are dressed similarly - equality.
    • Low panning shot - wealth, power. 
    • Title screen portrays the grand estate - class.